運動会で6カ国放送……外国人の子供急増に悲鳴 (読売新聞 2018年3月31日)

運動会で6カ国放送……外国人の子供急増に悲鳴 (読売新聞 2018年3月31日)

横浜市立南吉田小学校は全校児童約740人のうち半数以上が外国籍。家庭で使うのは母国語のみという子供もいて、昨年秋の運総会では英語や中国語など6か国語で放送。日本語を早く覚えてもらわないと、学校は大変だ。

http://www.yomiuri.co.jp/national/20180331-OYT1T50093.html

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    suddenly thinking Makeup With Michele Burke

    put together in Dublin in 1959, Michele Burke emigrated to Canada the particular late 1970 where she began carving her career as a makeup artist. Working her way up from fashion assistant to key makeup artist on much talked about Hollywood productions, Michele has become one of the versatile and innovative talents working in the industry today. The person receiving numerous accolades, Michele has won two BAFTA awards and has been nominated for Makeup Oscar six times, profitable twice for Bram Stoker ‘Dracula’ (1992) And ‘Quest to suit Fire’ (1981).

    You began your job working within the fashion industry, Can you tell us about how you started out?

    I was inspired by sitting in front of a makeup artist work. I had emigrated to Montreal from Dublin because at that time in the early 70s Ireland was in a terrible recession and there was no work, So I thought I should an issue more and see what life can bring me. I was working with a friend helping her put on a fashion show and i had no clue that makeup was a career. following that, In comes this foundations artist and it was kindof like a lightbulb going off in my head I was like my God, This is actually a job you can do? I was always artistic and loved the idea of being an artist but my father always said do something practical because you may any money out of it.

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    So that began your career in the makeup industry, How did you progress from those start into becoming a makeup artist for film?

    I found a job working for Revlon as a demonstrator in stores. In that time I did tonnes of faces and learned quickly how to do superb beauty makeup. Then I applied to a tiny makeup boutique called Electa and Corrado, then it was the key place to go to for makeup, And I worked with them for three years in their boutique. Not only did we sell makeup but we took prearranged appointments and did makeovers and gave them their face charts. It was the beginning of what is normal nowadays but back then it was very avant garde.

    They sent me out on photo shoots and I did a bunch of fashion spreads, Covers for magazines and a lot of the fashion shows in New York and Toronto. With Electa and Corrado I really learned the ropes and a lot about makeup but it was in that procedure that I realised I still didn know everything; effects makeup, best ways to do fake noses, attitude work and ageing. They were strictly fashion so I found out about another Makeup artist in Montreal named Mickey Hamilton who did effects makeup; She was an old timer and one of the few that did this. I called her and showed her my work and she said I could talk with her for no pay, the standard routine, So I agreed and literally slept and incapacitated of her house on a foam mattress and sleeping bag. She took me in and I caused her on three movies, I learned a lot about the movie business and how it worked and I learned a lot of effects makeup with her.

    So was it a conscious decision to move into film?

    a lot more irritated wasn no. You moved between film and mode, all the things was one and there was no division. It was a just conscious decision have a look at, which.

    At the time Montreal was one of the places where movies from Hollywood could get really great tax breaks to make their films. A lot of horror films would come up but the issue was they really didn have the crew to do most of these films along comes Michele.

    I had enough experience each and every apply but I was doing work that was way above what was normal to do at that point in your career, But there was really no one else to do it. So by the seat of my pants I was learning on the job and I literally began amassing work on lots of movies and that began my movie career.

    And what would you say was your first big break?

    One of the first films I did on my own was ‘Terror Train’, The horror film directed by Roger Spottiswoode and glancing Jamie Lee Curtis, going to did ‘Bad Dreams’ and ‘Visiting Hours’. Basically they were all slasher films but I many userful stuff here about having to think outside the box because at that point nobody really knew how to make blood. We had distinctive recipes and makeup artists like Stephan Dupuis, Gordon Smith and I would share ideas and study from each other.

    Was it a very exciting time to be getting work done in makeup?

    It was completely exceptional but we were in a bubble. I thought in Hollywood individuals were doing this and more, But at the moment I was actually one of the only women working at this. I was in a field of one and had no idea what all of those other world was doing and then along came ‘Quest for Fire’ where I became Head of Department with Sarah Monzani and I won my first Oscar.

    The funny thing about an Oscar is people say it the kiss of death. It changes each day in two ways; one, Everyone thinks now you too big for your boots and you wouldn want to work on their little films so former mate back’,folks don call you anymore; And the larger films think you booked up. accordingly it was a strange silence after it.

    Then I began to get lots of calls and eventually I thought I should go down and face the beast in Hollywood. In the us, I was a big fish in a little pond but wouldso would I fare in Hollywood? I came down and I kind of had to start up again. I started working on non union films and finally I got into the union and slowly and gradually I began to get some really good movies. i obtained Dracula, Which won me another Oscar which I felt was good because the first one you think maybe it was a fluke? Then I started to get other nominations for ‘The Cell’, ‘Cyrano de Bergerac’ and ‘Austin Powers’ perfectly.

    Does that kind of award buzz mean a lot to makeup artists?

    Oh this will, Absolutely. It always a double edged sword when you win the like. First of is really as to acknowledge that you never win anything on your own, particularly in film because it such a team effort and you rely on your team as much as yourself. There is a lot of work you have to say that even though you designed or supervised it, And did the main people, The other countries in the makeup and hair team also had a lot to do with it. You can ever think that it just you because then your ego is completely unmanageable. It great and it a good feeling but you have to keep it in proportion with everything else.

    for sure, And then there always the next job proceeding that?

    That also that raises the bar because you are being watched and everything you do has to be amazing there is more pressure than normal.

    going back to your early days, independent of the 6 week training did you do any other formal training?

    No it was literally all learning at work. There weren any makeup schools but it has a few of us, Kindof being a Rat Pack; Gordon cruz, Stephan Depuis, chris Caglione, Kevin Haney; but again it was just me and the guys kind of thing. We would just share ideas so there was companionship between us.

    Did your background in fashion give you the edge for doing beauty makeup in films?

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    I have taken up oil painting and I primarily do faces just to go on perfecting the art of application. It a long term study and a long term passion really.

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子どもの日本語教育研究会 オンラ... @ zoom会議
7月 23 @ 11:00 AM – 12:00 PM
子どもの日本語教育研究会2020 オンライン情報交換会「元気かい?」第2~6回 新型コロナウイルスの感染状況は終息の見通しの立たない状況にあり、長期的な対応が求められると考えられます。こうした状況の中で、各地で多様な言語文化背景を持つ子どもたちを支援する方々は、子どもたちや保護者の状況、支援について憂慮されていることと思います。そこで本研究会では、多様な言語文化背景をもつ子どもたちが健康に学ぶことを支援するために、何かしらの活動をしたいと考え、支援・教育にあたる皆様方が情報・アディアを交換し、相互に交流する場をオンラインで設けることにいたしました。オンライン情報交換会「元気かい?」です。 第一回(5月13日)の情報交換会には、全国から、そしてニュージーランドやシンガポールからもご参加いただき、大変好評でした。そこで、7月末まで継続的に開催することにいたしました。お時間のある方は、是非ご参加ください。 ★同じ方が何度も繰り返して参加されますと、他の希望者が参加できなくなる場合がございます。ご配慮をお願い申し上げます。  1 実施日時 終了しました! 第2回  2020年5月29日(金)19:00~20:00 終了しました! 第3回  2020年6月13日(土)19:00~20:00 修了しました! 第4回  2020年6月23日(火)19:00~20:00 第5回  2020年7月6日(月)19:00~20:00 第6回  2020年7月23日(木)11:00~12:00 2 テーマ ・子どもと保護者の状況と支援・取り組みについて ・StayHome後の学校生活スタートアップ支援ー連携の新しいスタイルを探ろう! ・わくわく「オンラインコンテンツ」   等 各回のテーマ・コーディネータ等については、子どもの日本語教育研究会のwebサイトに随時記載いたしますので、必ずご確認ください。 webサイト:https://www.kodomo-no-nihongo.com/kodomo/archives/category/other 3 実施方法 Web会議システムを利用 4 参加資格 (定員:20名) ・子どもの日本語教育に関する活動を行っている方。 ・Web会議システムに参加できる環境をおもちの方。 ・本会のオンライン会議参加時の倫理・マナーに同意いただける方 <子どもの日本語教育研究会 オンライン情報交換会参加のマナー> ①お名前・ご所属を明示し、ビデオをON(顔出し)での参加となります。 ②個人に対する誹謗・中傷、差別に当たる発言は控えていただきます。 ③プライバシーの保護を心がけ、固有名・地名等については匿名とします。 (職業上知り得た個人の情報については、守秘義務があります。) ④他者の著作物・作品等は出典を明示し・許可を得て紹介してください。 ⑤情報交換会で得られた情報は、提供者の許可を得て利用してください。 ※簡潔な発言を心がけて、全員で場を作れるよう、ご協力をお願いします。 5 参加方法 こくちーずpro でお申込みください(各回先着20名) 回毎のチケットを準備いたします。参加したい回のチケットをご購入ください。(無料です)。 申し込み期間:2020年5月17日(日)~ 7月22日(水) ただし、各回に締め切りがありますので、チケット欄でご確認ください。 申し込み時のアンケートは、グループ分けなどの参考にいたします。この活動以外では利用しませんので、ご協力ください。 ★お申し込みくださった方に、e-mailでWeb会議システムへの参加のご案内をお送りします。  ・・・・・・・・・・・・・・・・・・・・ 連絡先 子どもの日本語教育研究会「元気かい?」 (今澤・齋藤・村澤) genkikai.konichiken@gmail.com
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